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If anyone can provide a logical explanation for the way computer–based recording software is priced, I’m all ears. It used to be the case that getting access to a top–flight DAW/sequencer meant paying top dollar, but in more recent years, we have seen the appearance of several low–cost options that are equally well-featured, such as Reaper and Tracktion.

This is also a product category that has considerable inertia. There are a small number of products that, for reasons of history, are perhaps considered the ‘professional’ choices. Equally, once a user has invested both time and money in a particular DAW/sequencer product, the prospect of jumping ship to a competing product can be a daunting one. The grass has to look unbelievably green on the other side for people to consider switching to a different DAW.