Debussy: Pagodes from Estampes (Nathan Eckel, piano)

"Pagodes" from Estampes ("Prints"), L.100, is a composition for solo piano by Claude Debussy. It was finished in 1903. "Pagodes" evokes images of East Asia. It makes extensive use of pentatonic scales and mimics Chinese and Japanese traditional melodies while also incorporating hints of Javanese gamelan percussion.

As this is an Impressionistic work, the goal is not overt expressiveness but instead an emphasis on the wash of color presented by the texture of the work. Debussy marks in the text that "Pagodes" should be played "presque sans nuance", or "almost without nuance". This rigidity of rhythm helps to reduce the natural inclination of pianists to add rubato and excessive expression. Note that rigidity of rhythm within measures does not mean rigidity of tempo in the work; the tempo gradually fluxes quicker and slower throughout the piece, which is also common in gamelan compositions.

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*Featuring my photos of the temples and shrines of Bali, Indonesia.

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