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A Fleeting Glance "Rosetta" 1970 UK Private
Description
A Fleeting Glance "A Fleeting Glance" 1970 UK Private.
Record Collector recently listed the record at £2700 stating "Only two copies of this 1970 UK private pressing are known to exist. The album harnesses heavy rock, kosmische, folk and jazz to regale the tempestuous tale of a shadowy woman from birth to death. There's even a rumoured cameo performance from Billy Fury."..
One of the most astonishing British private pressing rarities, only two copies have surfaced of this 1970 concept album. Telling the story of a woman's life from her own conception to giving birth, the LP was put together by a variety of musicians at a social club, and allegedly includes an uncredited appearance by Billy Fury. Linked by narration and sound effects, the music runs the gamut from heavy space-rock jamming (including a snatch of 'Interstellar Overdrive') to folk rock (an acoustic cover of 'Light My Fire' & a stunning version of 'Watch The Stars') avante-garde choirs, krautrock-styled interludes and even trad jazz. The result is among the trippiest albums I have ever heard, comparable only to Jumble Lane in terms of eccentricity, although the music is infinitely better, with a strong Pink Floyd spacy edge. Indeed, had Syd Barrett remained with the Floyd, one could well imagine 'Dark Side of The Moon' might have sounded thus."..
Record Collector recently listed the record at £2700 stating "Only two copies of this 1970 UK private pressing are known to exist. The album harnesses heavy rock, kosmische, folk and jazz to regale the tempestuous tale of a shadowy woman from birth to death. There's even a rumoured cameo performance from Billy Fury."..
One of the most astonishing British private pressing rarities, only two copies have surfaced of this 1970 concept album. Telling the story of a woman's life from her own conception to giving birth, the LP was put together by a variety of musicians at a social club, and allegedly includes an uncredited appearance by Billy Fury. Linked by narration and sound effects, the music runs the gamut from heavy space-rock jamming (including a snatch of 'Interstellar Overdrive') to folk rock (an acoustic cover of 'Light My Fire' & a stunning version of 'Watch The Stars') avante-garde choirs, krautrock-styled interludes and even trad jazz. The result is among the trippiest albums I have ever heard, comparable only to Jumble Lane in terms of eccentricity, although the music is infinitely better, with a strong Pink Floyd spacy edge. Indeed, had Syd Barrett remained with the Floyd, one could well imagine 'Dark Side of The Moon' might have sounded thus."..
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